Forsyth joins BBC Worldwide Channels

LONDON -- BBC Worldwide Channels has signalled its readiness to create more original content by prospecting an professional for the lately created role of vice prexy, commissioning. She's Tracy Forsyth, who'll join Worldwide from British pay TV provider UKTV within the month of the month of january. Verifying to David Weiland, senior vice prexy, programming and tv channels, Forsyth will oversee the commissioning and co-output of programs for BBC Understanding, BBC Entertainment, BBC Lifestyle, BBC HD and Uk.TV, BBC Worldwide's general entertainment funnel in OZ and Nz. Role calls for coping with independent producers inside the U.K. and worldwide, together with the BBC's own production departments. BBC Worldwide Channels' original commissions are up to now modest, with around 20 several hours greenlit for your worldwide portfolio this year. Contact the number newsroom at news@variety.com

'The Help' Co-Stars Join Indie 'Light Years' (Exclusive)

Allison Janney and Chris Lowell, each of whom made an appearance within the Help, have became a member of Jessica Szohr and Rose McIver in Many Years, an intimate drama indie that started shooting now in NY.our editor recommendsAllison Janney Joins Cast of 'Liberal Arts' (Exclusive)'The Help' and 'Mad Men' Win Hollywood Publish Alliance Honours PHOTOS: How 'The Help' Was Cast Maggie Kiley is pointing the feature, which grows and develops upon the storyline she told together with her award-winning short Some Boys Don't Leave which starred Jesse Eisenberg. Kiley authored the script with Matthew Mullen. Lowell is playing a boy who's heartbroken on the girl (McIver) and starts rapport with Szohr's character, though he can't move forward away from the main one with whom he thinks he's intended to be with. When he would go to work on an observatory, he meets an astronomer (Janney) who helps guide him back right path. Clark Gregg and Peter Jacobson will also be within the movie. Paul Finkel and Jason Potash of the items A Global Productions are creating together with Kyle Heller and Gina Resnick under their VariEnt banner. Janney lately wrapped Liberal Arts, Josh Radnor's follow-as much as his directorial debut Happythankyoumoreplease and it has the indie Struck by Lightning within the can. Lowell recurred for many seasons on Private Practice and lately wrapped AWOL, also starring Liam Hemsworth and Aimee Teegarden. Both of them are repped by WME and Thruline Entertainment. Related Subjects Chris Lowell Jessica Szohr Rose McIver Allison Janney

FEINBERG FORECAST: 'The Help' and 'The Artist' Are Early Frontrunners at Globes

Dale Robinette/DreamworksBridesmaids What follows is my first assessment of the Golden Globe Awards' major categories...our editor recommendsRicky Gervais Returning as Host of Golden Globes'The Help's' Viola Davis, Octavia Spencer to Present at THR's Women in Entertainment BreakfastTHR's Directors Roundtable: How to Fire People, Who to Steal From, and Amy Pascal's Secret Advice'The Artist': The Not-So-Silent Entry BEST PICTURE (DRAMA) Frontrunners The Help (Disney, 8/12, PG-13, trailer) The Descendants (Fox Searchlight, 11/23, R, trailer) War Horse (Disney, 12/25, PG-13, trailer) Extremely Loud and Incredibly Close (Warner Bros., 12/25, TBA, trailer) The Girl With the Dragon Tattoo (Sony, 12/21, TBA, trailer) Major Threats The Ides of March (Sony, 10/14, TBA, trailer) Moneyball (Columbia, 9/23, TBA, trailer) Tinker, Tailor, Soldier, Spy (Focus Features, 12/9, TBA, trailer) J. Edgar (Warner Bros., 11/11, R, trailer) Margin Call (Roadside Attractions, 10/21, R, trailer) Possibilities The Iron Lady (The Weinstein Company, 12/30, TBA, teaser) Shame (Fox Searchlight, 12/2, NC-17, trailer) Harry Potter and the Deathly Hallows -- Part 2 (Warner Bros., 7/15, PG-13, trailer) A Dangerous Method (Sony Pictures Classics, 11/23, R, trailer) Super 8 (Paramount, 6/10, PG-13, trailer) The Tree of Life (Fox Searchlight, 5/27, PG-13, trailer) OPINION: Bravo to the HFPA for Bringing Back Ricky Gervais as Golden Globes Host BEST PICTURE (MUSICAL OR COMEDY) Frontrunners The Artist (The Weinstein Company, 11/23, TBA, trailer) Midnight in Paris (Sony Pictures Classics, 5/20, PG-13, trailer) Bridesmaids (Universal, 5/13, R, trailer) Crazy Stupid Love (Warner Bros., 7/29, PG-13, trailer) Carnage (Sony Pictures Classics, 12/16, R, trailer) Major Threats Beginners (Focus Features, 6/3, R, trailer) 50/50 (Summit, 9/30, R, trailer) Young Adult (Paramount, 12/9, R, trailer) My Week with Marilyn (The Weinstein Company, 11/23, R, trailer) The Rum Diary (FilmDistrict, 10/28, R, trailer) Our Idiot Brother (The Weinstein Company, 8/26, R, trailer) Hugo (Paramount, 11/23, PG, trailer) Possibilities Bad Teacher (Sony, 6/24, R, trailer) Friends with Benefits (Sony, 7/22, R, trailer) We Bought a Zoo (20th Century Fox, 12/23, PG, trailer) The Muppets (Disney, 11/23, PG, trailer) The Hangover Part II (Warner Bros., 5/26, R, trailer) The Adventures of Tintin (Paramount, 12/21, PG, trailer) BEST DIRECTOR Frontrunners Alexander Payne (The Descendants) Steven Spielberg (War Horse) Michel Hazanavicius (The Artist) Woody Allen (Midnight in Paris) Tate Taylor (The Help) Major Threats David Fincher (The Girl with the Dragon Tattoo) Stephen Daldry (Extremely Loud and Incredibly Close) Clint Eastwood (J. Edgar) George Clooney (The Ides of March) Martin Scorsese (Hugo) Possibilities Steven Spielberg (The Adventures of Tintin) Bennett Miller (Moneyball) Terrence Malick (The Tree of Life) Tomas Alfredson (Tinker, Tailor, Soldier, Spy) Jason Reitman (Young Adult) Roman Polanski (Carnage) BEST ACTOR (DRAMA) Frontrunners George Clooney (The Descendants) Brad Pitt (Moneyball) Leonardo DiCaprio (J. Edgar) Ryan Gosling (The Ides of March) Tom Hanks (Extremely Loud and Incredibly Close) Major Threats Daniel Craig (The Girl with the Dragon Tattoo) Michael Fassbender (Shame) Gary Oldman (Tinker Tailor Soldier Spy) Paul Giamatti (Win Win) Ryan Gosling (Drive) Zachary Quinto (Margin Call) Possibilities Michael Fassbender (A Dangerous Method) Woody Harrelson (Rampart) Ralph Fiennes (Coriolanus) Michael Shannon (Take Shelter) BEST ACTOR (MUSICAL OR COMEDY) Frontrunners Jean Dujardin (The Artist) Owen Wilson (Midnight in Paris) Ryan Gosling (Crazy Stupid Love) Joseph Gordon-Levitt (50/50) Ewan McGregor (Beginners) Major Threats Johnny Depp (The Rum Diary) Eddie Murphy (Tower Heist) Ben Stiller (Tower Heist) Christoph Waltz (Carnage) John C. Reilly (Carnage) Possibilities Matt Damon (We Bought a Zoo) Paul Rudd (Our Idiot Brother) Bradley Cooper (The Hangover Part II) Russell Brand (Arthur) Jesse Eisenberg (30 Minutes or Less) BEST ACTRESS (DRAMA) Frontrunners Viola Davis (The Help) Meryl Streep (The Iron Lady) Glenn Close (Albert Nobbs) Rooney Mara (The Girl with the Dragon Tattoo) Sandra Bullock (Extremely Loud and Incredibly Close) Major Threats Keira Knightley (A Dangerous Method) Elizabeth Olsen (Martha Marcy May Marlene) Mia Wasikowska (Jane Eyre) Kirsten Dunst (Melancholia) Possibilities Helen Mirren (The Debt) Tilda Swinton (We Need to Talk About Kevin) Michelle Yeoh (The Lady) Felicity Jones (Like Crazy) PHOTOS: Behind the Scenes of THR's Actress Roundtable 2011 BEST ACTRESS (MUSICAL OR COMEDY) Frontrunners Michelle Williams (My Week with Marilyn) Charlize Theron (Young Adult) Kristen Wiig (Bridesmaids) Cameron Diaz (Bad Teacher) Emma Stone (Crazy Stupid Love) Major Threats Jodie Foster (Carnage) Kate Winslet (Carnage) Julianne Moore (Crazy Stupid Love) Possibilities Mila Kunis (Friends with Benefits) Jennifer Aniston (Horrible Bosses) Scarlett Johansson (We Bought a Zoo) BEST SUPPORTING ACTOR Frontrunners Christopher Plummer (Beginners) Albert Brooks (Drive) Kevin Spacey (Margin Call) Jeremy Irons (Margin Call) Colin Firth (Tinker Tailor Soldier Spy) Major Threats Viggo Mortensen (A Dangerous Method) Stanley Tucci (Margin Call) Jonah Hill (Moneyball) Armie Hammer (J. Edgar) Kenneth Branagh (My Week with Marilyn) George Clooney (The Ides of March) Possibilities Brad Pitt (The Tree of Life) Patton Oswalt (Young Adult) John Hawkes (Martha Marcy May Marlene) Nick Nolte (Warrior) Max von Sydow (Extremely Loud and Incredibly Close) Andy Serkis (Rise of the Planet of the Apes) Jim Broadbent (The Iron Lady) BEST SUPPORTING ACTRESS Frontrunners Melissa McCarthy (Bridesmaids) Octavia Spencer (The Help) Shailene Woodley (The Descendants) Jessica Chastain (The Help) Berenice Bejo (The Artist) Major Threats Vanessa Redgrave (Coriolanus) Carey Mulligan (Shame) Demi Moore (Margin Call) Judi Dench (J. Edgar) Evan Rachel Wood (The Ides of March) Possibilities Marion Cotillard (Midnight in Paris) Janet McTeer (Albert Nobbs) Amber Heard (The Rum Diary) Elle Fanning (Super 8) Judy Greer (The Descendants) Golden Globes The Artist Bridesmaids The Help Golden Globes 2012

Box Office Report: Henry Cavill's 'Immortals' Slays $1.4 Million in Night time Grosses

Relativity Media's R-ranked action-epic Immortals, headlining Henry Cavill, made $1.4 million in night time grosses from 900 theaters.our editor recommendsBox Office Preview: 'Immortals,' 'Jack and Jill' Undertake 'Puss in Boots'What 'Immortals' Director Tarsem Singh Desires to Do: Direct a 'Samurai Jack' MovieNew Movie Reviews: 'J. Edgar,' 'Jack and Jill,' 'Immortals,' 'Melancholia' Striking Theaters PHOTOS: 'Immortals' Premiere Red-colored Carpet Arrivals That narrowly bested the $1.3 million gained in 1,024 night time runs by twentieth century Fox's An Upswing from the Planet from the Apes in August, along with the $700,000 gained by Fight: La in the night time debut. Today, Immortals movs into roughly 3,100 locations, and will probably possess a strong Friday. Monitoring indicates a $25 million to $26 million opening weekend for Immortals, however the film could overperform if fanboy turnout stays strong. To date, Immortals is leading the Friday race over Adam Sandler's new Thanskgiving family comedy Jack and Jill, that is inside a close fight with thriving holdover Puss in Boots, from DreamWorks Animation and Vital. Very early returns show both Puss in Boots and Jack and Jill grossing within the low to mid 20 million range for that weekend. PHOTOS: 'J. Edgar' Premiere Red-colored Carpet The weekend's third new countrywide entry is Clint Eastwood's Leonardo DiCaprio starrer J. Edgar, which opened up in five metropolitan areas on Wednesday inside a move made to trigger reviews and make word-of-mouth. The film, a biopic from the legendary F.B.I. chief J. Edgar Hoover, made $54,000 on Wednesday and the other $46,000 on Thursday (theater traffic frequently dips on Thursday). Ryan Kavanaugh's Relativity, which fully funded and created Immortals, is relying on fans to buoy the violence-laced R-ranked film, an illusion adventure across the same lines as box office hit 300. Immortals, a vital test for Relativity, cost $75 million to create after tax savings. STORY: 'Immortals': Exactly what the Experts say Immortals obtained kudos in test tests, as well as stars Mickey Rourke, Stephen Dorff, Isabel Lucas, Kellan Lutz, Freida Pinto and Luke Evans. The pic opens day and date in many key areas, including China (through Relativity's co-venture with Skyland), Germany, Italia, the U.K., Columbia, Japan and Columbia. Relativity associates say Immortals only needs to available to $25 million for the organization to become on seem financial footing, since a lot of your budget was funded through foreign presales. Warner Bros. is projecting a $ten million to $12 million opening forJ. Edgar, which is incorporated in the wheelhouse for Eastwood's films, although Friday matinees suggest the film could open greater. The biopic from the legendary F.B.I. chief also stars Armie Hammer. Related Subjects Box Office Relativity Media Henry Cavill Tarsem Singh Immortals Jack and Jill

The Band Perry Wins Big at the CMA Awards With "If I Die Young"

The Band Perry At last year's CMA Awards, the Band Perry were so fresh on the scene that they weren't even allotted a full-song performance slot. Oh, what a difference a year makes. By the time last night's glitzy blowout concluded in Nashville, the sibling vocal trio - Kimberly, Reid and Neil Perry - walked away winners in three categories: New Artist of the Year, and Single of the Year and Song of the Year for their crossover hit "If I Die Young." "We're so excited for 'If I Die Young,' both for what it's done for us and our music career," says Kimberly of her elegiac composition. "But also because it's been such a personal song for so many other people."With CMA season over, the Band Perry is now focusing on the holiday season. They've been tapped to write and record the theme for ABC Family's "25 Days of Christmas" programming event in December. "It's the very first Christmas song we've ever written," Kimberly says, adding that she and her brothers recently filmed a video for the tune. "They made it snow in L.A. at 2 o'clock in the morning," she laughs. "It was amazing."But not as amazing as being crowned country's newest stars, a reputation they'll further when they head out on the road with CMA co-host Brad Paisley next year. And what will the siblings watch while on tour? "Criminal Minds and The Office," says Reid. "You watch Criminal Minds first [to be scared] and then you watch The Office [to laugh]. It's a rush!"Subscribe to TV Guide Magazine now!

Ron Perry Does not remember Title of the Government Agency: Oops!

Ron Perry Republican presidential hopeful Ron Perry really wants to eliminate a minimum of three federal agencies. At Wednesday night's GOP debate on CNBC, the Texas governor stated he desired to get rid of the departments of Education and Commerce and ... Well, he could not remember. Not able to totally get over the gaffe, he responded having a simple, "Oops!"May be the real or fake Herman Cain commercial more amusing?Read this clip:He finally appreciated later within the debate, and after joked about being glad he used his boots while he "walked inside itInch throughout his performance.

VIDEO: Conan O'Brien Officiates Gay Wedding on His Show

Conan O'Brien A teary-eyed Conan O'Brien facilitated the marriage of his costume designer Scott Cronick and the partner David Gorshein on live television Thursday evening. In this area: Conan O'Brien's go back to NY City After Bravo host Andy Cohen walked Cronick lower the aisle, Gorshein started his vows. "I really hope everybody on the planet could be lucky enough to get discover the love we share ... I really like you a lot. You're my everything." Cronick added, "Cameras or no cameras, David, I am here today, and i'm yours forever." O'Brien, who had been ordained in the Universal Existence Chapel, introduced the males as husband and husband before delivering them lower the aisle riding a bull. Report: Conan O'Brien to officiate gay wedding on television The ceremony happened around the late-evening host's final broadcast from his NY City tour. Discover the shocking truth (make sure to grab a tissue!) below:

'Harold And Kumar' Star Tom Lennon Describes How You Get Young children High

If you're going to see "A Very Harold And Kumar Christmas" a couple of days ago, you'll most likely be highly entertained by its stars, John Cho, Kal Penn and, clearly, Neil Patrick Harris. It is also smart to appear out for your scene-stealing supporting players like Mike Manley and Tom Lennon. MTV News was sufficiently fortunate to get get together with Lennon recently through the film's press day and furthermore to being consistently amusing, he was very helpful in explaining one of the film's large mysteries: how they handled to obtain the 2-year-old stars inside the film to appear as though they are high just like a kite. There's a baby whisperer on set, which was in order to we really did anything because initially initially when i first see the script I used to be like, Oh [my character] features a baby with him the whole time, which i figured, 'Oh thats great, babies are very simple,AInch mentioned Lennon. "Ive stood a baby, it normally will not do just about anything. Well, they cry every occasionally nonetheless they mostly kind of sleep and go, Waaaaa and look for you." "Two-and-a-half-year-olds are wonderful killing machines," Lennon mentioned seriously. "They hate everything, and thats that which you cast in this movie, and then we had whatsoever occasions on set three 2-and-a-half-year-old babies who've been various levels of pissed off every second. Everybody was like, Sometimes you may feel dangerous towards the infant, the newborn required to do every one of these crazy things inside the film? No, I shame the grownups who've been there. It absolutely was intense." Lennon ongoing to convey their only deliverer on set was the film's "baby wrangler." "There's stuff people youthful women do in this movie that merely blows your brain. Just all the cocaine stuff as well as the 'I require it, I'd like it, I'd like it.' There's a game title title that they're educated to produce all this, they didnt tell the newborn, 'Hey, youre on coke and rub your nicotine nicotine gums, no, you will discover fun like 'We're brushing our teeth' games," he referred to. "Theres a game title title for everything making it work. It absolutely was remarkably good-natured. The ladies a real had remarkably nice a while as well as their trailer was pretty large. Nearly as huge as mine. Are you currently seeing Tom Lennon in 'A Very Harold And Kumar Christmas" a couple of days ago? Reveal inside the comments or on Twitter!

Twilight Stars Drop Marriage Joke, Buuel References at Breaking Beginning Junket

If Guinness World Records recognized imaginary successive traditions of passage, The Twilight Saga: Breaking Beginning — Part 1 would be the apparent victor. As wedding events go, yes, there most definitely is really a — possibly two, if you feel Rachelle Lefervre. Billy Burke’s Bella finally can get her way through the honeymoon. Then there’s the emotion-drenched pregnancy that puts Bella in peril once more, and many types of the dominoes that are trigger for your pair too for Rachelle Lefervre’s Jacob consequently. Pattinson, Stewart and Lautner spoken within the first installment in the Twilight finale Thursday before its debut November. 18, getting an unexpected news conference appearance by series author Stephenie Meyer, who shared some good info from her stint as producer. [Warning: Spoilers for nonreaders throughout.] Once the marriage turned up, walking lower the aisle as Bella was nearly simple for Stewart. “I think that I used to be so in where to make it happen that we needed to simply put the dress on and go and stand there and walk and discover him and everyone,” Stewart mentioned. “I be familiar with story so well. The most frequent question for stars is, ‘How remember all your lines?’ It’s the ultimate factor I consider. Knowing an account so well, they just emerge, you just understand it. Therefore I just saved telling myself to merely find [myself] in this moment and become grateful, or else you’re prone to think back and go, ‘God why didn’t I merely take that ride? Function it.’” Pattinson recently mentioned the pair increased being legally married through the shoot because of utilizing a genuine-to-god priest, but Stewart’s much less sure. “Honestly, that’s the initial I’ve learned about that,” Stewart mentioned. “[The priest] couldn’t even can remember the vows. In my opinion he was nervous. He was great. I'm speaking about, he did great. It’s just that he saved saying our names too. But more youthful crowd referred to as me Bella Elizabeth or something like that like this. He certainly messed up my middle title. Basically, that’s a fascinating story to depart all of this because that wasn’t my memory from this. And was he always an authentic ordained minister? I’d would rather uncover.” Edward’s mindset through the marriage will be a pleasing combination of elation and anxiety. “I think it’s when you’re really truly happy you’re also afraid because you’re kind of uncontrollable,” Pattinson mentioned when asked for in regards to the occasions around when both feelings occur at the same time. “I think it’s a perfect amount of happiness if you’re also afraid concurrently.” You'll be able to mix an costly wedding off Pattinson’s to-do list whether or not this means wearing something nontraditional, or obtaining a say inside the ceremony whatsoever. “I only agreed to do the interview with Kristen, and he or she got somewhat annoyed with me at night for proclaiming that your daughter's groom’s role in the wedding is basically as being a prop,” he mentioned. “Even playing the part you realize, it’s this kind of apparent indication of whose day it's if you’re waiting for one finish in the aisle as well as the entire congregation is searching within the girl and you also’re wearing the identical suit as every other guy, and he or she’s in the princess dress. … I really don’t mind, I merely don’t wish to use a distinctive outfit.” The Next corner in the love triangular can get an excellent chance to brood, but Lautner mentioned Bella and Edward changing “I do’s” should’ve been the moment Jacob finally put within the towel the chase. “I shuttle with Jacob’s persistence. Generally, yeah I am in a position to realize it. Since there’s been things throughout my existence that we’ve wanted a great deal, then when you’re told no you’ve gotta keep on, you’ve gotta choose this should you’re told no you alone just say ‘uh, OK’ and quit, I wouldn’t be seated today,” Lautner mentioned. “If you believe in something and you also love something, you’ve gotta choose this no matter what. Generally I really could interact with it, but yeah there’s moments where I’m like, ‘Dude, you’ve gotta overcome it, she’s married now, she’s on her behalf account honeymoon, it’s time for you to maneuver on.’ “ [Click for images from Movieline’s Breaking Beginning - Part 2 gallery] The climactic birth scene tugged plenty of heartstrings on set, according to Meyer. “With the birth scene, you are able to tell it absolutely was so emotional. It wasn’t relating to this that is gory which we’re slathering tabs on cream cheese and raspberry jelly, it absolutely was Edward is losing Bella, and Make the most of’s performance am heartbreaking that, I'll admit, yes, I teared up, there has been tears,” Meyer mentioned. “A great deal of everybody was in it. Because you looked considering losing the key factor for you personally, which he earned you think about it because moment. The way was cut together was very emotional. I believed Bill [Condon] attracted this kind of human experience from this. He's presents for the. I’m happy about how precisely it switched out.” Stewart imagined herself just like a feral cat while Bella was pregnant. It’s an apt description because Bella experienced lots of major existence occasions within this small amount of time it’s like she were living several cat lives. Stewart mentioned Breaking Beginning “crams plenty of key occasions into one movie.” “It looked like within this series it doesn’t go on for a very extended period of time, nevertheless it was a more full experience than you really would end up dealing with possess with something of a girl that age because of her unique situation. I really wound up dealing with reside, like, 10-15 years in people four to five because everything’s essential on her behalf, clearly. All of the imposing elements just speed everything up making everything very unreal. … The most popular image every time I think about this installment, I consider, like, the kitty inside the corner, claws out, belly inflamed, like, ‘Stay the fffff from me,’ plus it’s so awesome, which i'd only really notice that, yeah clearly, I am in a position to’t wait [for motherhood]. But, yeah, lots of key occasions, really intense. Heavy, heavy.” Pattinson thinks Bella’s birth scene is on the internet for without Chien Andalou. “It was terrifying beginning it, nevertheless it ended up being most likely probably the most incredible moments to accomplish in this movie,” he mentioned. “ There’s certainly a kind of R-rated — or even NC-17-rated — version from the handful of moments in this movie. Because of the violence and stuff within it, it gave you a large number of freedom inside the scene and becoming every character so desperate, it increased being something very, different, particularly for Edward, which has always held back which is a pacifist and objective and logical about everything. If you’re playing Edward, who’s stuck between an emaciated dummy’s legs churned using a placenta, getting cream cheese in your face and strawberry jam, and yanking out a 3-week-old baby after, getting a hairpiece on, it absolutely was like something from the Bunuel movie.” Lautner’s finest Renesmee challenge reaches the best way to imprint round the newborn. “That was tough because what's imprinting? What can you gaze like if you imprint? People were the questions coping with my thoughts,” Lautner mentioned. “Luckily we'd Stephenie on set the entire time, and trust me, I asked for her countless occasions, ‘OK show me once again what imprinting is strictly, and maybe you have picture what Jacob made an appearance as though? The thing that was he doing when he was imprinting?’ It absolutely was very, very puzzling. It didn’t help that whenever we shot it, installed an X around the wall and mentioned, ‘This is Renesmee. You’re going walk inside the room, you’re going to look into the X, and you also’re prone to imprint.’ It absolutely was tough. However getting seen the best version, I’m really happy with it. It's emotional. They did a great job with coming back awesome flashbacks and tying in the voice-over. So that it property is definitely an very special moment but at that time it absolutely was a leap of belief.”

Time Warner Beats Wall Street Anticipation With Increased effective Third-Quarter Results

One of the great pleasures of 2011, personally, would be to watch the actress Felicity Manley evolve in the virtual unknown into some people that have become round the fringe of full-fledged fame, also to understand her somewhat in route.our editor recommends'Like Crazy': Sundance Grand Jury Prize Champion Trailer PremieresSundance Review: Constantly PHOTO: Toronto Film Festival: 13 Films to know Everything started within the month of the month of january, when Drake Doremus's Constantly opened up within the Sundance Film Festival. The micro-budget indie, a drama of a youthful couple who find it hard to stay together following a immigration system forces them apart, features Manley -- opposite Anton Yelchin -- in their first starring role, carried out like gangbusters in Park City. With the finish in the festival, a studio investing in an offer war due to its U.S. distribution rights happen to be won by mighty Vital Pictures the film won the Grand Jury Prize and Manley was granted a distinctive jury prize on her behalf outstanding performance. Discuss a fairy-tale ending... or, more properly, beginning. Now, Vital is progressively moving the film nationwide, using the expectation that people who notice early will circulate positive word-of-mouth and for the reason that way awaken excitement with this inside the urban centers which has yet to start. One component that everyone who sees the film leaves it talking about is Manley, who exudes such ethereal beauty and simple charm in their performance -- which Vital hopes will probably be one of the five using this year's crowded best actress area to achieve a jerk -- they seems going to follow inside the actions of Keira Knightley and Carey Mulligan and become the newest British ingenue to beat Hollywood. VIDEO: Anton Yelchin round the Extended Journey to His Star-Making Role in 'Like Crazy' Initially when i first met Manley on Monday, October 17. She'd just become from your flight from London to NY, been hustled to some reception with Academy people undertaking a screening of Constantly, and wound up being made to sit lower with me at night with an interview. Once we were introduced during the time of the craziness, which i had been informed it appeared to become her birthday, I suggested that individuals postpone the interview until the very next day to make sure that she might really can savor herself somewhat. Once we met up at her hotel the following morning to tape the interview that appears near the top of this publish, I used to be struck less by her striking beauty (I'd measured that within the film as well as the evening before) in comparison to her intelligence (she's an Oxford grad) and humbleness (she was very nervous and excited for your NY premiere your evening). People impressions were only increased upon subsequent interactions within the aforementioned premiere, its after-party, and soon after inside the eco-friendly room within the Hollywood Film Honours, where she was honored one of the year's breakthrough stars. I'd wager a good deal that anyone who assessments out this little movie which interview will probably be as smitten along with her much like me. Before extended, I suspect, everyone will probably be. Constantly Felicity Manley

Jeff Hephner Settles Down With 'Boss'

Jeff Hephner Settles Down With 'Boss' By Melinda Loewenstein November 2, 2011 Photo by Frederick M. Brown/Getty Images Jeff Hephner Jeff Hephner has flipped from "Hellcats" to "The Playboy Club," finally landing in Chicago on Starz's "Boss" with Kelsey Grammer. After a career of jumping from role to role, he's settling down with the new series, which has been renewed for a second season. Growing up, Hephner never thought an acting career could be a reality, but after college he moved to Jacksonville, Fla., and began working in community theater. "Since I was the only young guy showing up for the plays, I got cast in almost all of them, so it was a great training ground for me for having started so late," he notes. While working on the film "Tigerland," Hephner got the push he needed to take his career to the next level when the first assistant director offered to let the young actor stay at his place in NY so he could pursue his career. "And from there, I just started crashing as many auditions as I could find, was introduced to a manager, and with persistence, things just kept moving forward."Hephner wasn't classically trained as an actor but instead took a more nontraditional approach. When he first moved to NY, he took some workshops, but most of his training came from the hands-on experience of working on student films. Hephner felt that environment allowed him to make mistakes and learn. He also loved the energy level and openness to experimentation that he found. "For me and my personality, that was the best way for me to train," he says. "I'm not necessarily one to do well in a classroom, and I think hands-on training like that served me well." Now he says he has a "mixed bag" of techniques he can draw on whenever he needs them. "I think the certain amount of training is different for every single person," he continues. "Some people thrive in the [classroom] atmosphere for a very long period of time, and those people come out completely multifaceted actors who are beautiful to watch and fascinating, and I think for others, such as myself, I'm trying to find out where I fit in and how I fit in, and not having that training allows me to kind of create for myself." When he booked the lead role of Morgan Buffkin in the series "Easy Money," Hephner felt he had reached a turning point. "There were many times in my career when I was just looking around waiting for somebody to tell me to leave." But on "Easy Money," he says he "started to feel like I should be here, doing this." Another turning point for Hephner was being recast while shooting the pilot for "The Playboy Club." He notes, "Every actor at some point is probably going to get fired from something, and the last thing that you need to do is sit around and feel sorry for yourself and play the pity card. So I just said, 'Hell, I'm going to go to every audition that comes my way.' " It didn't take Hephner long to rebound. He flew back to L.A. and booked a role with the first audition he went out onthat of the young, ambitious gubernatorial candidate Alex Zajac on "Boss." "Boss" was shooting in Chicago just as "Playboy" was, so he headed back to the Windy City. When he showed up on set for "Boss," he discovered that a lot of the "Playboy" crew were working on "Boss." He says they were surprised to see him back; it was "bizarre synergy." Shift in Tone The tone of "Boss" is different from that of Hephner's previous work as football coach Red Raymond on "Hellcats." He basically went straight from "Hellcats" to "The Playboy Club" to "Boss," which forced him to switch gears and slide into a completely different character quickly. The tone of "Boss" is dark and grittythe world of power and politics in Chicago. Hollywood was a good template for the world in "Boss." He notes, "It's very political on the business side in Hollywood, or the entertainment industry as a whole, because it produces so much money and it employs so many people. And I think that if we look and pick apart certain parts of our business, we can see templates of power everywhere, and then you often see people making choices in this business based on naive ambition."Hephner says he's learning a lot about what it takes to lead a show from TV veteran Grammer. "He's a very charismatic and imposing man, and I think that by him absorbing all of the focus, it allows the rest of us creatively to be able to push that stuff aside and do what our work is."Auditioning is a key part of the actor's life, and Hephner has had his share of difficult auditions, where the room is just cold and "it's almost like Simon Cowell is sitting in the room." But he also has had his share of great auditions, where everyone's excited about the project and warm "and understands that you're there to bring voice to something, and they want to see what you do."Through good auditions and bad, Hephner has learned that the key to an acting career is perseverance. He likes to read interviews with actors, especially those who have been doing it for a long time, to see what has sustained them. While he was having dinner with Frank Langella during the shooting of "The Water Is Wide," a Hallmark Hall of Fame movie, the older actor advised, "If you're going to do this, you've just got to do it." The industry is cyclical, and actors face a lot of rejection. "[But] if you keep doing it, things will just balance out, and I think that's keyed on persistence," Hephner says. "You do take it personally, and I think that's completely natural. And then you just have to say, 'All right, they're idiots, and I'm going to keep doing this.'" Jeff Hephner Settles Down With 'Boss' By Melinda Loewenstein November 2, 2011 Jeff Hephner PHOTO CREDIT Frederick M. Brown/Getty Images Jeff Hephner has flipped from "Hellcats" to "The Playboy Club," finally landing in Chicago on Starz's "Boss" with Kelsey Grammer. After a career of jumping from role to role, he's settling down with the new series, which has been renewed for a second season. Growing up, Hephner never thought an acting career could be a reality, but after college he moved to Jacksonville, Fla., and began working in community theater. "Since I was the only young guy showing up for the plays, I got cast in almost all of them, so it was a great training ground for me for having started so late," he notes. While working on the film "Tigerland," Hephner got the push he needed to take his career to the next level when the first assistant director offered to let the young actor stay at his place in NY so he could pursue his career. "And from there, I just started crashing as many auditions as I could find, was introduced to a manager, and with persistence, things just kept moving forward."Hephner wasn't classically trained as an actor but instead took a more nontraditional approach. When he first moved to NY, he took some workshops, but most of his training came from the hands-on experience of working on student films. Hephner felt that environment allowed him to make mistakes and learn. He also loved the energy level and openness to experimentation that he found. "For me and my personality, that was the best way for me to train," he says. "I'm not necessarily one to do well in a classroom, and I think hands-on training like that served me well." Now he says he has a "mixed bag" of techniques he can draw on whenever he needs them. "I think the certain amount of training is different for every single person," he continues. "Some people thrive in the [classroom] atmosphere for a very long period of time, and those people come out completely multifaceted actors who are beautiful to watch and fascinating, and I think for others, such as myself, I'm trying to find out where I fit in and how I fit in, and not having that training allows me to kind of create for myself." When he booked the lead role of Morgan Buffkin in the series "Easy Money," Hephner felt he had reached a turning point. "There were many times in my career when I was just looking around waiting for somebody to tell me to leave." But on "Easy Money," he says he "started to feel like I should be here, doing this." Another turning point for Hephner was being recast while shooting the pilot for "The Playboy Club." He notes, "Every actor at some point is probably going to get fired from something, and the last thing that you need to do is sit around and feel sorry for yourself and play the pity card. So I just said, 'Hell, I'm going to go to every audition that comes my way.' " It didn't take Hephner long to rebound. He flew back to L.A. and booked a role with the first audition he went out onthat of the young, ambitious gubernatorial candidate Alex Zajac on "Boss." "Boss" was shooting in Chicago just as "Playboy" was, so he headed back to the Windy City. When he showed up on set for "Boss," he discovered that a lot of the "Playboy" crew were working on "Boss." He says they were surprised to see him back; it was "bizarre synergy." Shift in Tone The tone of "Boss" is different from that of Hephner's previous work as football coach Red Raymond on "Hellcats." He basically went straight from "Hellcats" to "The Playboy Club" to "Boss," which forced him to switch gears and slide into a completely different character quickly. The tone of "Boss" is dark and grittythe world of power and politics in Chicago. Hollywood was a good template for the world in "Boss." He notes, "It's very political on the business side in Hollywood, or the entertainment industry as a whole, because it produces so much money and it employs so many people. And I think that if we look and pick apart certain parts of our business, we can see templates of power everywhere, and then you often see people making choices in this business based on naive ambition."Hephner says he's learning a lot about what it takes to lead a show from TV veteran Grammer. "He's a very charismatic and imposing man, and I think that by him absorbing all of the focus, it allows the rest of us creatively to be able to push that stuff aside and do what our work is."Auditioning is a key part of the actor's life, and Hephner has had his share of difficult auditions, where the room is just cold and "it's almost like Simon Cowell is sitting in the room." But he also has had his share of great auditions, where everyone's excited about the project and warm "and understands that you're there to bring voice to something, and they want to see what you do."Through good auditions and bad, Hephner has learned that the key to an acting career is perseverance. He likes to read interviews with actors, especially those who have been doing it for a long time, to see what has sustained them. While he was having dinner with Frank Langella during the shooting of "The Water Is Wide," a Hallmark Hall of Fame movie, the older actor advised, "If you're going to do this, you've just got to do it." The industry is cyclical, and actors face a lot of rejection. "[But] if you keep doing it, things will just balance out, and I think that's keyed on persistence," Hephner says. "You do take it personally, and I think that's completely natural. And then you just have to say, 'All right, they're idiots, and I'm going to keep doing this.'"

Time Warner Beats Wall Street Expecations With Stronger Third-Quarter Results

Time Warner on Wednesday reported improved third-quarter financials as its film unit more than doubled its bottom line thanks in part to the final installment of the Harry Potter series. The entertainment conglomerate, led by CEO Jeff Bewkes, posted a quarterly profit of $822 million, compared with $520 million in the year-ago period. Revenue rose 11 percent to $7.1 billion. Among other topics, the company's Wednesday earnings conference call with analysts is expected to touch on recent digital distribution deals of the CW, which TW co-owns with CBS Corp., with Netflix and Hulu. Email: Georg.Szalai@thr.com Related Topics Time Warner Jeff Bewkes Earnings